One of the evils of guitar tremolos is the reliance on springs to return the tremolo to its neutral position. These springs essentially operate like a combo amp reverb tank built inside your guitar — they ring when physically excited. Skeptical? Strum some full chords followed by a quick palm mute and you’ll hear those springs ringing. The ringing can add a boingy or hazy quality to your tone, masking the qualities you want to hear. As you increase gain from clean to distortion, the ringing in amplified through your pickups and can become quite noticeable and annoying.Read More
JBE Pickups (formerly Joe Barden Pickups) manufactures a variety of guitar and bass pickups, including the HB Two/Tone humbuckers. For nearly 20 years, I’ve been pleased with the performance of these pickups in my Klein Electric Guitar. When it was time to upgrade the pickups in my newly acquired Kiesel Zeus (reviewed here), installing the HB Two/Tones was a no-brainer.Read More
Kiesel Guitars (formerly Carvin Guitars) has been producing the headless Allan Holdsworth Signature guitar for many years, but only recently started expanding their headless offerings — first with the Vader in 2015 and now with three additional models in 2018. The Zeus, as reviewed here, was introduced in January of this year.Read More
This episode is going to be a bit guitar centric - so I apologize to you non-guitar players out there. But, I think this information will also be valuable for all engineers that record guitars...and who doesn’t.Read More
In this episode of the podcast, Jeff and I discuss topics that are only sometimes tangentially related to the topic! Along the way, we mention; Mumble, Crane Song HEDD, George Lucas, the excellent book by Howard Massey called Behind The Glass Volume 2, Daniel Lanois, Brian Eno, stereo and mono guitars, panning, stereo delay instead of double tracking, the importance of arrangements, American Idol, networking, BARMMAP, AES, EARS, Steve Hindalong of The Choir, and finally, spontaneity and inspiration.
Special thanks to Mark Marshall for providing the music.